It seems like the busier I get, the less often I make time to update my blog, so I apologize for the radio silence lately. That being said, it’s a good sign that I’m working on a TON of projects when I don’t have time to write about them! The current state of the union looks something like this:
Various novels – I’m starting to plot out the next New England Furies book, with plans to start writing in September (and thank you so much to my fans and readers, who have been incredibly patient while I have been playing in other sandboxes). I’ve also been picking away at a YA steampunk project, which is half done, and tinkering with a couple new first-in-series that I’ve mentioned in passing before (a cyperpunk UF and a lesbian sports romance).
Wild Rose issue #2 – Finished! Rewards have been sent out to Kickstarter backers and work has been started on issue #3.
Welcome – Ahlan wa Sahlan – Almost finished! We have picture lock (meaning the story is edited and finalized). Now we are just working to finish the score and colour correction/sound mixing. Announcements about festival screenings coming soon!
Victim Impact – Also nearly finished! This is my absolute FIRST film project and I’ve been working on it for almost a year, so it’s very exciting to know that it will be totally done in a matter of weeks.
As always, there are a couple more projects being tinkered with that I can’t talk about yet, but I do have one last project completely finished, which I will talk about soon. It blurs the boundaries between gaming and novel-writing in a really cool way. I’m holding back details on that one until I have a release date, but I WILL say that it was both one of the hardest things I’ve ever written and one of the coolest. More info on that project coming soon!
For those who have been following my comic book project, I am very excited to share that issue #2 of Wild Rose was fully funded on Kickstarter! As part of the promotion surrounding the crowdfunding campaign, I wrote a guest post about Crowdfunding for Feminist Creators over at Offbeat Home & Life.
This month, I also spoke to a group of talented teens enrolled in an entrepreneurship program at the MacPhee Centre for Creative Learning. More and more creators of all ages are becoming interested in crowdfunding their creative projects, so I thought I would share some of the things I have learned!
As a member of Romance Writers of Atlantic Canada (RWAC), a Canadian chapter of Romance Writers of America, I am fortunate to have access to a wide variety of guest speakers, workshops, retreats and other writing events.
At RWAC’s April meeting, we were very pleased to welcome guest speaker Mark Leslie Lefebvre, Kobo’s Director of Self Publishing and Author Relations, and an author himself.
So without further ado, here are just a few highlights of Mark’s presentation:
The 3 “P”s of self publishing success;
Pricing advice from Kobo; and
Inside information on how books get featured on Kobo and why.
1. The 3 “P”s of self publishing success
As we all know – and have heard ad infinitum – patience, practice, and perseverance are the only ways to really be successful as a writer. “Overnight” successes make for sexy headlines, but in most cases, years of effort have gone into those successes. What distinguishes Mark’s advice from this old (but true) chestnut is the fact that he expands on the traditional advice to just keep swimming – er, writing.
From a branding perspective, the trick is to just keep writing with your target audience in mind (think of Stephen King’s Constant Reader). If you don’t know who you’re trying to reach with your book – guess what? You probably won’t. In addition to this, you need to provide the bestall-around book that you can, which means it must be of superior quality in all respects, not just in terms of writing. According to Kobo’s statistics, the success of a book is directly related to the quality of its editing and cover.
2. Pricing advice from Kobo
In his time at Kobo, Mark has observed that three things are necessary to ensure sales when pricing an e-book:
pricing responsively; and
Authors are most successful and achieve highest sales when they price deliberately, taking into account things like genre (romance prices are low compared to other genres, but more units are bought by the average reader), book length, and comparator titles. They should also be aware of the dreaded “Dead Price Point” – $1.99. For some reason, books of all lengths and genres sell poorly at $1.99, and do better at either $.99 or $2.99 and up.
Pricing responsively refers to the idea that self-published book prices don’t need to be – and shouldn’t be – static. Since the author is in control, she has the power not just to take advantage of marketing opportunities, but to create them for herself. If you’ve written a book set on Halloween, for example, why not offer a sale in the days leading up to the holiday?
Or say you’ve written a series. You might want to consider making the first book free. In one example, Kobo found that 12,000 readers downloaded a free e-book, but only 2,000 actually opened it, and only about 350 read the whole thing. Of those who read the book, however, 50% went on to buy more books from the author, and the total downloaded units helped push the book higher in the rankings to increase its visibility.
Finally, don’t be afraid to try different pricing strategies. One bestselling author found that when she increased her book’s price from $5.99 to $6.99, her sales improved at iBooks and Barnes & Noble, stayed the same at Kobo, and decreased at Amazon. While many authors would have panicked at the hit on Amazon (the Holy Grail of self publishing, to some), the author decided to wait a while and see what happened. To her delight, sales at Amazon went back to previous levels within a week and a half and stayed high everywhere else, meaning she was now moving more units than ever and making more money on each book.
3. How books get featured
When asked how Mark and his team decide to feature an author in Kobo’s digital “front window”, the answer was simple – it’s a combination of serendipity and good planning on the author’s part. On the good luck side of things, Mark has featured artists that he has gotten to know through conferences, readings, podcasts, and networking. But no matter how much he or the marketing team likes an author, they still have to take into account the financial realities of selling books online.
The biggest challenge to an e-book retailer in promoting indie authors is price point. When a book is priced at $.99, the author’s share is $.45. This means that Kobo’s share of a sale is $.54, before costs associated with processing a credit card transaction. On the other hand, an author’s share of a book priced at $9.99 is $6.99, leaving $3.00 for Kobo before costs. This doesn’t mean that books priced at $.99 don’t get featured, but it does mean that when there is a choice between two equally great books, the one that will generate more money (or at least not cost Kobo money) is the one that gets top billing.
For more information on Kobo’s self publishing hub, check out Kobo Writing Life here. While it’s no secret that I’m seeking traditional publication (it says so on the “About Me” page of the website), I am intrigued by the concept of hybrid authorship. If and when I’m ready to go ahead with self publication, working directly with Kobo looks like a great choice. (I have not been remunerated in any way for blogging about Kobo – it just looks like a genuinely great bunch of people who believe in indie authors).