Man’s Ruin is the second of my novels available in Spanish, and I am happy to share this translation by Maria Guaicara with you. I especially like the translated series title. In English, it translates to A Wolf at Work, which is very fitting for either the hero or heroine. They are both tough, loyal, and deadly in the right circumstances.
While Maria was translating the book, I learned of several interesting coincidences between her own life and the heroine. Like Magdalene, Maria attended a Catholic school as a child and her mother’s name is Carmen. In fact (minor spoiler alert), in the book Magdalene’s birth name is Maria!
As I have branched out into comic books and game writing in the past year (announcement coming soon!), I have also gotten interested in filmmaking. I have worked as an extra on a number of sets over the years – most recently the Lizzie Borden Chronicles starring Christina Ricci – and have always wanted to learn more about how movies are made. So this year, I decided to take a flying leap into making my own movies. After volunteering as a production assistant on a couple of short films to get more experience, I began to attend workshops at the Atlantic Filmmakers Cooperative in my hometown of Halifax, Nova Scotia.
Next, I applied for a film training program and some grant funding, and now I am very excited to be working on both a short documentary and a narrative short!Victim Impact
The Nova Scotia Victim Services Program offers support to victims of crime by providing information about the justice system and victims’ court cases, and by helping victims prepare Victim Impact Statements. But clients of the Victim Services Program have reported a lack of communication from program officers, inadequate funding for the counselling they were promised, and inadequate information about court proceedings. Through interviews with clients and stakeholders, Victim Impact provides a balanced view of the strengths and shortcomings of Nova Scotia’s Victim Services Program.
Welcome/Ahlan wa Sahlan
A fantasy romance about loss, acceptance, and love that spans the gap between two very different worlds. Shadia, a Syrian refugee, arrives in coastal Nova Scotia, and is lost in sorrow until she strikes up a friendship with a mermaid. When that friendship becomes something more, Shadia finds hope in this new world.
I am directing this movie and my friend/co-writer, Tim Hanley, is producing Welcome/Ahlan wa Sahlan. The mermaid will be played by Raina Mermaid, a professional mermaid, actress, model, and educator.
Gravely wounded and abandoned by her lover, heroine Eliza Day must come to terms with her heartbreak and shame if she is to realize her revenge. Her only allies are the unlikely duo of a Catholic priest and a witch with secrets of their own.
If you’re in Halifax, Nova Scotia on June 21, 2018 I would love to see you at the launch party for my comic, Wild Rose. The party will be hosted by the Good Robot brewery from 7-10 pm and I will be giving away some great door prizes. I will also have copies of issue #1 for sale.
The Good Robot Brewing Company is located at 2736 Robie Street in Halifax (see map below).
Come chat with fellow book and comic lovers, have a drink, and check out the first print run of Wild Rose!
[Spoiler alert for minor plot points about Fury’s Kiss and Man’s Ruin.]
I have been feeling overwhelmed lately by the number of revelations from women in the media about sexual assault, harassment, and abuse, especially at the hands of their employers. I think it’s awesome that the world is finally taking notice of this horrendous cultural norm, but the #MeToo movement has reminded me of my own experiences with harassment, some of which I prefer not to think about. It also has me questioning whether I have been complicit in the exploitation of my own gender.
On February 3, Jessica Chastain tweeted this statement, which is both powerful and accurate:
When violence against women is used as a plot device to make the characters stronger then we have a problem. It is not empowering to be beaten and raped, yet so many films make it their 'pheonix' moment for women. We don't need abuse in order to be powerful. We already are.
The thing is, I have used physical and sexual violence against a female character as a plot device. In my debut novel, Fury’s Kiss, the heroine manifests the powers of a Greek Fury when her life is endangered and she fights off her assailant. And Fury’s Kiss isn’t the only book in which I explore this type of interaction. In Man’s Ruin, there is a scene in which the threat of sexual violence is used by a villain to attempt the intimidation and subjugation of the heroine.
So how can I justify these scenes to myself and my readers?
I’ve devoted a lot of time to considering my reasons for writing about violence against women, and I think the reason I often circle back to it is because it is, or has been, a reality of everyday life for so many of us. The first time I was ever catcalled on the street, I was twelve years old. Twelve. When I was fifteen, I quit my first job because a man who was at least four decades older than me groped me on multiple occasions.
And as is the case for many (most?) women, it only got worse from then on.
I write about sexism and misogyny because I have experienced it. I think this is why I feel compelled to exorcise those demons through my writing. I’m sure that some critics might look at my work and find fault with it, but I can only write about the world as I see it.
When writing about violence, and specifically violence against women, I rely on these basic rules:
The violence must serve a purpose to the plot or theme of the work. It must not be gratuitous or titillating.
The woman wins in the end. Always.
No explicit violence against children or animals.
These are my boundaries, and what works for me may not work for others. For example, I have read books that depict violence against children in a way that furthers a message or makes sense in the context of the plot (Room by Emma Donoghue comes to mind), but it’s not something that I feel comfortable writing right now.
I am excited to announce that I have teamed up with Canadian artists Kara Brauen and Jono Doiron to bring my first comic book, Wild Rose, to life. We are crowd funding issue one on Kickstarter and we hit 39% funded in the first 48 hours!
Statistically, this means we stand a very good chance of being fully funded, but I need your help to keep the momentum going. If you are interested in any of the cool rewards we’re offering, please check out the Kickstarter page and consider supporting the campaign. If you’re not able to contribute financially, it’s still a huge, huge help if you share the campaign with your friends/family/social media following.
Set against the backdrop of London and rural Ireland in 1790, Wild Rose reimagines a haunting Irish folktale. The story of Eliza Day is a tale of love and revenge, but also of class conflict, religious intolerance, and the secret societies that became common in eighteenth century Ireland.
When Eliza is seduced and betrayed by a wealthy English lover, she vows to seek revenge and enlists the help of a witch. But as she soon finds out, the restrictive society in which she lives has no place for defiant, damaged women who break with convention. With the help of Adam Stone, a free Black man, Eliza has a chance to make a new life for herself after the loss of her innocence – but to do so, she will have to be braver than she could ever have imagined.
Wild Rose is a six-issue mini-series with potential for an ongoing storyline. This is a socially conscious project which depicts the realities of life in 18th century Europe, including people of color and LGBTQ+ orientation.
Funds raised on Kickstarter will be used to pay for cover design, coloring, and lettering for the 22 story pages of issue #1. Money raised above our goal will be used for marketing, self publishing (if we don’t sign with a publisher), a limited first print run, and production of the next issue.
Fury’s Kiss is now available in audiobook format from Audible.com – and if you don’t already have an account, you can get it for free with a 30-day trial membership. I love listening to books and podcasts when I’m driving or doing chores, and sometimes a good book can even make me forget how out of shape I am when I go jogging.
Another cool thing about hearing a book read out loud is that you don’t have to wonder about pronunciation of characters’ names. (Remember when the Harry Potter books first came out? Was the girl witch called Her-me-own? Her-my-own-knee?). Since the Furies books are based on Greek mythology, I have to admit that sometimes I have to use Google or Youtube to pronounce my own characters’ names.
The audio version is 9 hours and 2 minutes long, so you get lots of bang for your buck. Since this is my first audiobook, I would love to hear from readers about what you think. If there is anything you loved or hated, let me know!
Word on the Street is an annual one-day literacy festival that takes place in locations across Canada. In each participating city, local, regional and national authors, poets, illustrators, spoken word artists, and entertainers participate in readings, panel discussions, and musical entertainment. Publishers, booksellers, literacy organizations, post-secondary programs, and community groups are also welcome to set up tables in the vendor marketplace.
For most of its history in English, the word ‘literate’ meant to be ‘familiar with literature’ or, more generally, ‘well educated, learned.’…Today literacy means so much more than the ability to read and write. In our modern technology-rich society the definition of literacy is much broader and now includes nine essential skills: reading text, document use, numeracy, writing, oral communication, working with others, computer use, critical thinking skills and continuous learning. – Word on the Street Halifax
This year, fellow romance author Brenda Pearson and I shared a table to sell and sign our books. As always, one of the highlights of WOTS was the opening reception the night before. The reception was held at Halifax’s famous Central Library, where Mark Lefebvre from Kobo Writing Life happened to be in attendance in his capacity as an author (did you know he writes spooky Canadian ghost stories as Mark Leslie?).
Check out this Facebook Live interview I did with Mark!
One of the other people I was excited to meet this year was Alexa Wilcox, the 14-year-old author of the YA fantasy, Aqua Jewel. With help from her parents, Alexa self-published her debut novel and is already hard at work on the sequel.
Last but not least, it’s always great to catch up with John Munro, the Atlantic Canada Regional Manager for Frontier College. I volunteered with this literacy organization when I was in law school and it’s always nice to see what new programming is in store.
Beginning in 1899, the founder of Frontier College, Alfred Fitzpatrick, trained teachers to go into logging, mining, and railroad camps to teach the workers there to read. Now Frontier College provides homework clubs, summer reading camps, adult literacy and GED tutoring, and ESL services.
Finally, here are a couple more photos from the festival! On the left, I’m posing with Super Why!, a children’s television character who helps kids ages 3-6 learn literacy skills. On the right is a photo of some local athletes marching in support of ending violence against women.